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MJ Tribute by John Mayer

December 7, 2009

If anything has ever turned me on to John Mayer’s music, this is it

Playing an instrumental version of “Human Nature” is a bold and powerful statement. It appears that by omitting vocals, Mayer is paying homage to Michael Jackson’s unparalleled vocal talent, effectively saying not even I am worthy of singing the King’s music (which is really saying something, considering the ego of the guy who’s saying it).

The simplicity of Mayer’s playing befits the tragedy and sadness of the situation incredibly well. This is a funeral. It would seem inappropriate to play something over-the-top, and Mayer seems to recognize that. Fantastic performance.

Note: The backup band is the same as MJ’s band from the This Is It performance film.

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Country/Bluegrass Greats

December 3, 2009

Check out this video of Bluegrass greats (among other genres) Jerry Garcia and David Grisman rehearsing country legend George Jone’s composition “Take Me.”

I wish this site allowed you to post whole albums to listen to, because if it did I would post the Garcia/Grisman/Rice (Rice being Tony Rice) album The Pizza Tapes. This recording boasts three of bluegrass’s most prominent heroes playing impromptu bluegrass classics as well as some great acoustic improvisation. Here is one cut from the recording…

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Rainy Day Hendrix

December 2, 2009

I guess rainy days will always be accompanied by a Hendrix post from now on. This one fits the dreary drizzle here in Indiana – “Once I Had A Woman.” This is Hendrix at playing the blues at its finest.

“The beats are so slow, you could drive a truck through them.” Well put, Hollinden.

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The Band 1970

November 30, 2009

Here is a great video of The Band playing (1) at their Woodstock basement studio, recording/rehearsing “King Harvest (Has Surely Come)” and (2) “Long Black Veil” live.

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Legacy Of Lennon

November 27, 2009

In the last six months there have been a barrage of Beatles events and news. The popular videogame The Beatles: Rockband was released after Dhani Harrison (George’s son) stressed his desire to bring the music of the Fab Four to the newest generation. Also, Yoko Ono has reassembled and released a record with The Plastic Ono Band, the group she and her husband John performed with throughout the 1970s, and has added a new member – her son Julian Lennon. Finally, Apple Corps has re-released the entire Beatles collection in a newly remastered box set. This new release boasts digitally remastered sound that surpasses all past releases.

In the spirit of this recent revival I’ll be posting some interesting Beatles facts, videos, and thoughts. For starters, here is one of John Lennon’s final compositions and recordings, titled “Real Love.” The first video is the song as it was originally recorded by John (but not released) in 1980.

After his death, The [remaining] Beatles collaborated to complete the song for the Anthology documentary series. The revised track was recorded in the spirit of John, and was intended to sound as he would have wanted it to sound. This track, along with its sister release “Free As A Bird,” are the final Beatle releases (final new releases, actually). As Ringo said, “Recording the new songs didn’t feel contrived at all, it felt very natural and it was a lot of fun, but emotional too at times. But it’s the end of the line, really. There’s nothing more we can do as The Beatles.”

But what a beautiful way to go out.

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Happy Thanksgiving

November 26, 2009

 

the full version…

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A Sound Bigger Than Texas

November 25, 2009

Sit Back And Melt…

 

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Concert Review: Phish 11/20/09

November 24, 2009

Last Friday night my friend and I went to see Phish at US Bank Arena (aka The Crown) in Cincinnati, OH. In the days leading up to the concert I was a bit unsure about it all…crappy seats, overpaying for tickets, and Phish indoors (what does this mean?). But within minutes of stepping into the arena, my doubts were squandered.

It turned out that our seats were incredible. Firstly, US Bank is a hockey stadium, which lends to a great concert environment. The general admission floor seating was minimal (hockey arena vs. football stadium) which made it seem that even the farthest seats were towering right over center stage. Our seats were “Page side” in row H – which ended up being a perfect viewing angle! We could see every move Page made, and most of Trey and Mike. We were practically in the wings of the concert hall (if it were actually a concert hall, that is). The crowd was phriendly as usual – we met some real cool people sitting around us. One guy even offered to email us the pictures he would be taking throughout the show (to be posted eventually). The stage was set for a great night of music.

First Set:

Chalkdust Torture, Moma Dance, Divided Sky, Alaska, Water In The Sky, Fast Enough For You, Time Turns Elastic, Gotta Jibboo, Fluffhead

This first set was a great mix of dance grooves, composition pieces, and sappy ballads. “Chalkdust” and “Moma” were a great opening combination to welcome the crowd and get a great Phish dance party started. “Divided Sky” (which I’ve never seen live) was incredible. This expansive composition piece, which initially seemed to be a counterpoint to the indoor atmosphere, was beautifully played and loved by the crowd. Highlight of the piece (and maybe the night) was the pause in the middle of the the dreamy theme (see 5:20 of this). I never realized they all stand motionless during this section, waiting for the crowd to roar. Pretty cool. “Time Turns Elastic” was great as well. Hearing a live interpretation of the new composition was cool, and I was particularly impressed by Page’s contributions on synth and organ (a theme of the whole night for me).

Second Set:

Punch You In The Eye, Tweezer > Light > Back On The Train > Possum, Slave To The Traffic Light, You Enjoy Myself,

Another great set opener in “Punch You In The Eye.” But the highligh of the second set was definitely the next four songs that seemed to flow perfectly from one to the next. The segue of “Tweezer > Light” was so cool – a barrage of synth and effects-laden guitar that created a very strange and beautiful ambient sound. Moving to “Back on the Train” didn’t seem to fit the two previous psychedelic songs, but it ended up as a great funk version of their shuffle classic. And “Possum” fit right into that frame as well. “You Enjoy Myself” was fantastic – you could tell that all four members were really enjoying every minute of the performance. Trey and Mike brought out the trampolines for the middle of the YEM jam. They were both all smiles the whole time. Its so great to see them all back to being happy as a band and playing with passion. The vocal jam at the end may have been the highlight of the second set for me – and it was at this point that I realized how much Chris Kuroda’s light show adds to the live Phish experience. He manipulated the rig perfectly in time with the jam, and brought us a great psychedelic experience – even for the sober people. What a great show.

Encore:

Joy, Golgi Apparatus, Tweezer Reprise

You can never go wrong by ending a show with “Tweezer Reprise.” What a great night of music.

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Rainy Day? Ride with Hendrix

November 19, 2009

On this particularly rainy day in Indiana, I decided to sit back and listen to The Jimi Hendrix’s Electric Ladyland. Fittingly, I realized how cool the first side of the second vinyl disc is…

- Rainy Day, Dream Away

- 1983…(A Mermaid I Should Turn To Be)

- Moon, Turn The Tides…Gently, Gently Away

- Still Raining, Still Dreaming [first track of 2nd disk's B side]

Take a trip with Hendrix on a rainy day; what a brilliant idea. A fantastic Buddy Miles funk groove, great album producing, and otherworldly psychedelic guitar playing (avant garde at its finest, in my opinion) take you on a journey from your rainy window, to the depths of outer space, and back again. This song series takes you to some strange places. Hendrix had quite a vision.

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Two Sides of Dylan

November 19, 2009

A lot of people claim that the heightened use of social drugs, especially marijuana, was the creative catalyst of 1960s art and music. For the most part I agree, but sometimes drugs can harm a musician’s abilities. Its really interesting to compare individual musicians before and after their drug habits take over their lives. Eric Clapton, Elton John, Miles Davis, Kurt Cobain, Jerry Garcia, Sly Stone, Keith Richards, Charlie Parker…the list seems endless. A simple and powerful comparison is Bob Dylan 1964 vs. 1966…

To me, this quintessential Dylan in the early folk years. Everything about the performance grips you – the enunciation, time, and tone. But after years of rigorous touring and heavy drug use (particularly methamphetamines), Dylan’s sound transforms…

Obviously strung out, this version of Dylan sounds weary and tired (almost in an eerie way). The message presented in his performance is completely different from the 1964 version. Its not necessarily better or worse – just different. And maybe the latter version is more in line with the message of “Mr. Tambourine” anyway…